If you’ve chosen to get married, to make public your commitment to each other, then you’ll want a ceremony to suit your personalities and reflect your union and aspirations for it. A secular wedding is limited only by your imagination. You can have it wherever you choose, with a visit to the registry office before or after
My role is to help you create your own customized ceremony – the setting, readings, music, poems, vows and any rituals – for this rite that is both intimate and public. My aim is to make it as
individual as you and your relationship.
If you are wanting a civil ceremony and would like to explore what is possible, then I’d be honoured to contribute to your event, and work with you with care and attention to every detail.
I am not a registrar and the ceremony I make won’t be legally binding, but works in conjunction with a registrar. It is ideal if you have a particular building or outdoor space in mind that isn’t registered for marriages.
I understand this ceremony has to be absolutely right for you and am happy to meet or talk over the phone for you get to a feel of my style before booking me. Please don’t hesitate to ask questions without any obligation to continue.
fees begin at £350 Email: sehymas at a gmail dot com
I have produced poetry readings, poetry tours, multimedia exhibits and small literature festivals.
In 2012 and 2013 I produced, marketed and managed two tours for Arc Publications.
In 2012 the tour comprised seven international poets (from Iceland, Turkey, Burma, Punjab, Armenia and Brazil) visiting 29 venues for readings, discussions and workshops on translation.
In 2013 the tour took 12 poets (four from the UK, others from Sri Lanka, Serbia, Germany, New Zealand, Armenia and Catalonia) and two translators around 34 venues giving readings, workshops and discussions.
I was editor of Flax, Lancaster Literature Festival’s publishing imprint from 2006-2011.
Alongside designer Martin Chester and then Anat Kaivanto, we produced 29 publications that ranged from pdf pamphlets of poetry and prose, illustrated posters, ebooks, films and walking tours. We launched all the publications in one way or another, celebrating the coming together of great quality work.
Another collaboration with Maya Chowdhry
I continue to edit anthologies created in workshops and with fellow writers.
Most recently, Solstice, with Rebecca Bilkau.
An anthology of hours. Twenty four poems clocking the twenty four hours of the longest day in 2012. This ‘hinge’ of the year is tracked by transience, evident in the views of street lamps, hedgerows, cafes, the rising light, swallows, rain, and ultimately the growing dark, its rituals, noises, pathways disappearing ahead.
Poems from Helen Ivory, Andrew McMillan, Wayne Burrows, Jane Routh, Seni Seniviratne, Maya Chowdhry, David Tait and many more.
My guiding principle when working with others is to keep myself out of the frame. The work is what is important.
As a coach my aim to enable you to clarify exactly what it is you want and how you can best achieve it.
As a mentor or workshop facilitator my job is to help you write what you want – and in the best way to suit you.
As a producer of live literature events my focus is on creating
engaging, vibrant and inclusive occasions, introducing new writing and writers. I want to share and spread the imaginative reach of performed poetry and prose.
For over twenty years I’ve worked in publishing, produced events and tours, on writing commissions and running workshops in a variety of environments, such as prisons, community centres, day-care centres, hospices, schools and universities.
I wrote call and response poems with Jo Brandon for Like Starlings, an online collaborative project that was enormous fun.
I was poet in residence for Calderdale Libraries, finding ways to encourage people to read more poetry. I organised events, ran reading groups, seminars and was involved in making a large book with two artists, John Lyons and Hafsah Naib, to display in the libaries to celebrate the joy of reading
*all artistbooks should be available either through paypal. If the button isn’t working, then mail me: sehymas [at] gmail [dot] com
Simple A3 zine, cut and folded into an A6 sized-illustrated booklet, unfolding into a spiraling repetition of swimmer image.
This cautious response to the first three weeks of lockdown during the Covid19 pandemic attempts to balance fear with hope. It’s my way to give something out while bringing some money in. Edition of 20.
Donations of £5 upwards if you have an income, if not £1 for postage be fab 🙂
Please pay via http://paypal.me/SarahHymas adding your address to the note.
Sea of whiteness, as glacier
130mm square (folded) cartridge paper, waxed linen thread and blue triangular text elements. £7.50 (+p&p)
A non-linear, three dimensional artistbook containing a poem inspired by Sara Ahmed’s ‘Phenomenology of Whiteness’, climate change, glacial retreat and the attempt to gauge an unfamiliar landscape. Where does the poem begin? How might a glacier be read? This artistbook explores the folds between human and ice, language and space, reader and world.
“‘Sea of whiteness as glacier’ is an intriguing concept. I like it as an artefact … and I like the fact that that there’s no obvious sequence – that you can read the snippets in any order that you want ”
Recovery Lorenzo 120/95 gsm, hardbacked cloth covered. Edition of 5. Please contact me directly with enquiries
An expanding artistbook based on the Ivan Juritz Prize (2017) shortlisted poem. A co-worlding of human and ocean, Recovery operates across multiple timescales. A single tickertape line of oceanic time, following the breakdown of plastics across long pages of the book, is punctuated by foldout intervals of tidal time, documenting the collection of plastic debris from the shoreline. watch a short demo of Recovery here
How to be more than human
7x7cm square book with fold out pages, spine and waxed thread stitching/wrap £7.50 (+p&p)
A how-to guide, a pocket survival manual for the curious and creatively adventurous among us. Playing between physical, image and text, this octobook celebrates that most extraordinary of creatures by attempting to emulate it. With eight fold-out pages, your book could be one of two colours, depending on its environment or mood. Illustrations made from paper cut.
And if you want to really immerse yourself, read it alongside This fascinating In Our Time (R4) on cephalopods
A3 illustrated concertina with belly band. £5 (+p&p)
The unofficial sequel to Hans Anderson’s fairy tale. Stories do not end. Humans have wings. This is a world that is both unfamiliar and deeply expansive, hopeful for how we might choose to live.
An extended concertina of card and paper, with expanding spine. £10 (&p+p).
Two companion sonnets on the function and beauty of waves, making distinct yet comparable the ocean and the plastic within it.
A Dock is not a Solid Thing
A Jacob’s ladder format of blue / white two tone card, ribbon and a steel fastener. £10 (&p+p). Limited edition of thirty.
Seven poems on docks, boatbuilding, maritime trade and lighthouses. The binding, a delicate and ingenious design, conveys the movement of water and precarious nature of maritime industries.
“I do especially appreciate it when a pamphlet comes along where the form reflects the content, where the theme is tightly bound, when everything from top to bottom has been considered when being crafted.” Read more of Claire Trévien’s review here
There is no Night
(illustrated card, tracing paper sleeve cover with silver birch bark detail. Handstitched binding.) Reindeer image by Justus Raatikainen.
£5 each (+80p p&p).
Set in a Finnish summer ‘There is no Night’ is a modern day fable on love and the troll within us all, while tracing the shifting borders of relationships and water. How do we love another and simultaneously ourselves?
This tender, lightly melancholic long poem plays with union and independence, absence and presence, turning ultimately hopeful. Read more here
If you want one sending as a gift, please add any personal message to your paypal instructions and the giftee’s (is that a word?) address.
Reader feedback: “Thank you for this. I’ve read it twice now but it feels like the kind of poem that will grow with every reading. I love the ‘vessel’ you have made for it – so clever. As you said on your blog – in the end it asks for simplicity – but that’s quite hard to achieve.
“As for the poem, I’m finding it hard to start spilling words about it, but I love the way it makes me feel – quiet and still, in the presence of mystery, sad and hopeful. It’s beautiful.”
In Good Weather the Sign Outside reads Danger Quicksand (art-booklet: letterpress cover, transparent photographic end-papers, card, recycled rubber band binding, 2014) Limited edition of 48. £8 + p&p Also available from the Bookartbookshop N1 6HB
*if you do not want to receive sporadic mailings on future publications please tell me when you purchase an artistbook