*all artistbooks should be available either through paypal.
If the button isn’t working, then mail me: sehymas [at] gmail [dot] com
Simple A3 zine, cut and folded into an A6 sized-illustrated booklet, unfolding into a spiraling repetition of swimmer image.
This cautious response to the first three weeks of lockdown during the Covid19 pandemic attempts to balance fear with hope. It’s my way to give something out while bringing some money in. Edition of 20.
Donations of £5 upwards if you have an income, if not £1 for postage be fab 🙂
Please pay via http://paypal.me/SarahHymas adding your address to the note.
Sea of whiteness, as glacier
130mm square (folded) cartridge paper, waxed linen thread and blue triangular text elements. £7.50 (+p&p)
A non-linear, three dimensional artistbook containing a poem inspired by Sara Ahmed’s ‘Phenomenology of Whiteness’, climate change, glacial retreat and the attempt to gauge an unfamiliar landscape. Where does the poem begin? How might a glacier be read? This artistbook explores the folds between human and ice, language and space, reader and world.
“‘Sea of whiteness as glacier’ is an intriguing concept. I like it as an artefact … and I like the fact that that there’s no obvious sequence – that you can read the snippets in any order that you want ”
You can get more of a sense of the book here
Lorenzo 120/95 gsm, hardbacked cloth covered. Edition of 5.
Please contact me directly with enquiries
An expanding artistbook based on the Ivan Juritz Prize (2017) shortlisted poem. A co-worlding of human and ocean, Recovery operates across multiple timescales. A single tickertape line of oceanic time, following the breakdown of plastics across long pages of the book, is punctuated by foldout intervals of tidal time, documenting the collection of plastic debris from the shoreline.
watch a short demo of Recovery here
How to be more than human
7x7cm square book with fold out pages, spine and waxed thread stitching/wrap £7.50 (+p&p)
A how-to guide, a pocket survival manual for the curious and creatively adventurous among us. Playing between physical, image and text, this octobook celebrates that most extraordinary of creatures by attempting to emulate it. With eight fold-out pages, your book could be one of two colours, depending on its environment or mood. Illustrations made from paper cut.
And if you want to really immerse yourself, read it alongside This fascinating In Our Time (R4) on cephalopods
A3 illustrated concertina with belly band. £5 (+p&p)
The unofficial sequel to Hans Anderson’s fairy tale. Stories do not end. Humans have wings. This is a world that is both unfamiliar and deeply expansive, hopeful for how we might choose to live.
An extended concertina of card and paper, with expanding spine. £10 (&p+p).
Two companion sonnets on the function and beauty of waves, making distinct yet comparable the ocean and the plastic within it.
Seven poems on docks, boatbuilding, maritime trade and lighthouses. The binding, a delicate and ingenious design, conveys the movement of water and precarious nature of maritime industries.
“I do especially appreciate it when a pamphlet comes along where the form reflects the content, where the theme is tightly bound, when everything from top to bottom has been considered when being crafted.” Read more of Claire Trévien’s review here
Set in a Finnish summer ‘There is no Night’ is a modern day fable on love and the troll within us all, while tracing the shifting borders of relationships and water. How do we love another and simultaneously ourselves?
This tender, lightly melancholic long poem plays with union and independence, absence and presence, turning ultimately hopeful.
Read more here
If you want one sending as a gift, please add any personal message to your paypal instructions and the giftee’s (is that a word?) address.
Reader feedback: “Thank you for this. I’ve read it twice now but it feels like the kind of poem that will grow with every reading. I love the ‘vessel’ you have made for it – so clever. As you said on your blog – in the end it asks for simplicity – but that’s quite hard to achieve.
“As for the poem, I’m finding it hard to start spilling words about it, but I love the way it makes me feel – quiet and still, in the presence of mystery, sad and hopeful. It’s beautiful.”
In Good Weather the Sign Outside reads Danger Quicksand (art-booklet: letterpress cover, transparent photographic end-papers, card, recycled rubber band binding, 2014) Limited edition of 48. £8 + p&p Also available from the Bookartbookshop N1 6HB
*if you do not want to receive sporadic mailings on future publications please tell me when you purchase an artistbook