Tag Archives: editing

imaginarium

imaginarium dissolve

is a cross-genre writing programme where you will explore your writing potential.

Eight writers. Six monthly workshops. One tutorial.

Through small group workshops, online peer-to-peer feedback, reading and a one-to-one tutorial we will consider how best to express our ideas and feed the imagination.

“The imagination is the power of the mind over the possibilities of things.” Wallace Stevens

Who’s it for?
If you are working on, or plan to begin, a sustained project of a sequence or collection of poems or short stories, a novel, memoir, creative nonfiction, a performance, or something more hybrid, this imaginarium offers a structured space to support you through six months of writing, thinking, experimentation and / or completion.

Anyone is welcome to apply, whatever your writing experience. The only requirement is that you are committed to your writing project and the imaginarium for its duration.

More details
From September 2016 to February 2017 we will be meeting once a month in Lancaster. These workshops will offer writing time through guided activities and structured discussions on language, narrative, form, perspective and setting amongst other topics. They will be a space in which you’ll investigate what your imagination can do, how it works and what new writings it might produce. Between meets there will be small reading and writing tasks, as well as online peer-to-peer feedback on your individual writing projects.

The hope is you’ll reach the end of the programme having created surprising new work, deepened your imaginative experiences, and be equipped with the momentum and skills to continue to grow as writers.

How to apply
Applications for the current imaginarium are closed, if you are interested to hear when the next one runs, fill in the below and I’ll add you to my mailing list

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How can writers of different genres learn from each other? How might the work, ideas and interests cross-fertilise? What happens in that space where different imaginations meet? Read more about my thinking of the imaginarium here

*Deciding whether you are a concession is at your discretion. I want this programme to be accessible to anyone interested in developing their writing.

I liked the inputs and reading you give us and the crazy exercises, not just writng and reading out. A group on imagination has to be imaginative after all

Remix the Poet

Remix the Poet: What song offers poetry
A Poetry and Music workshop with Hymas & Lewis

Saturday 14 November, 10-4pm
The Olive Room, Gregson Centre, Lancaster, LA1 3PY

Turn a poem into a song and back into a poem. Edit with your ears and see how the process impacts your imagining of its potential. In this playful, exploratory workshop we will be using the song form to transform the way you think about writing.

Using a variety of activities, writing and thinking time, discussions, silence and time outdoors, poet Sarah Hymas & musician Steve Lewis will share their practice as collaborators and turn the volume up on your own processes.

We have found that setting poetry to music encourages the light in. Once the words are sung, resonances spark, new phrases are found, and different ways of speaking them emerge. The poem matures. This workshop will offer you alternative ways of editing and give you a fresh confidence in your writing and how you share it.

Attending the workshop includes the option to air the results of the day at the following week’s Spotlight Club in Lancaster.

All writers, of any genre and experience level, are welcome.

More info about Hymas&Lewis

Cost
Early Birds £60 available until 30th September
Full Price or post 30th September £80.

There are limited places available for this workshop, so we need full payment in advance

If you have any questions, just ask…

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Editor

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I was editor of Flax, Lancaster Literature Festival’s publishing imprint from 2006-2011.

Alongside designer Martin Chester and then Anat Kaivanto, we produced 29 publications that ranged from pdf pamphlets of poetry and prose, illustrated posters, ebooks, films and walking tours. We launched all the publications in one way or another, celebrating the coming together of great quality work.

A sample of our work is below. You can see more on the Flax page of ISSUU

Walking in Circles – poetry walksguide for walks

Seed Haiku
Another collaboration with Maya Chowdhry
http://vimeo.com/25316376

I continue to edit anthologies created in workshops and with fellow writers.

Most recently, Solstice, with Rebecca Bilkau.
An anthology of hours. Twenty four poems clocking the twenty four hours of the longest day in 2012. This ‘hinge’ of the year is tracked by transience, evident in the views of street lamps, hedgerows, cafes, the rising light, swallows, rain, and ultimately the growing dark, its rituals, noises, pathways disappearing ahead.

Poems from Helen Ivory, Andrew McMillan, Wayne Burrows, Jane Routh, Seni Seniviratne, Maya Chowdhry, David Tait and many more.

Front Cover-page-001

Mentor

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Between the mentor and the mentee is the work. As a mentor my interest lies in working with you to achieve your writing goals.

I will be a thorough and careful reader of your work; a supportive and empathetic communicator. Your work is yours – I won’t steer you in a direction you’re not happy with and although growth means change, I understand what it’s like to be a writer. I don’t want to turn you into something you’re not.

Sometimes we won’t be working on the writing, but on your writing self, on your growth and motivation, helping you to develop a sense of your own process. There are rough places, times when motivation fails, times when doubt creeps in. I can help you learn to negotiate these difficult periods in your writing life.

In the main, the mentoring meets will be monthly, face to face or virtually, to discuss your writing (the amount to be arranged between us) and other aspects of your work, such as time management, motivation, confidence, goal-setting etc.

You might want to write and/or develop a sequence, pamphlet or collection of poems. You may be on the cusp of turning writing from a hobby into a career.

At the end of the mentoring, you will have a clear idea of what you have achieved and a plan of where to go next.

What does it Cost? and Other Answers

I charge £150 per meeting, including the reading and research time.

Each meeting will be an hour and a half long. I’m based in the North West of England and if you can travel here, we can meet in person. If that’s not possible, for the same price I offer distance mentoring by email, phone or Skype.

I recommend monthly meetings, but this is negotiable.

I offer 10% discount to previous clients. If you feel you have a case for a lower rate, please get in touch.

I am also happy to advise you if you want to apply for ACE funding to support a mentoring project. Again, just get in touch.

Meeting and consultations cancelled with less than 48 hours notice are non-refundable. I’ll issue you with a contract before we begin.

Writing workshops

writing workshopsI have led writing workshops in adult education, prisons, primary schools, with undergraduates, for the  Continuing Education Department at Lancaster University,  on an annual week-long residential at The French House Experience, for the National Association of Writers in Education (NAWE) and The Poetry School (online) and many other short term and individual projects.

My particular interests lie in life and poetry writing. I have also led workshops on performance skills, writing from the body, self-publishing and editing.

I believe all workshops provide fertile ground for ideas and discussion and don’t expect people to produce final drafts or even work they may want to share. The workshop is precisely that: a place to explore, chisel and glue ideas. They offer the chance to hear what other writers write, read or think, to play and dip you toe into new waters and with any luck to leave stimulated, thinking thoughts you’d not had before, and confident in writing more.

What other people have said

Thanks for the talk. You were brill. All the students really enjoyed it and benefited a lot. So did I! It was really good to think about things in terms of what works for you individually.

Excellent tutor, fascinating subject!

One of the best managed/facilitated courses I have ever attended. Enhanced my listening to and respect of other people’s voices enormously.

I thought Sarah did a great job of keeping us on track and not preventing diversions. She clearly knows her stuff and how to deliver it.

Thank you, it has changed my life.

Sarah really is a genius. The way she got such a mixed bag of people to unlock their inner creativity was amazing.

Sarah, from the start, put everyone at their ease and used an amazing array of techniques and games to allow us all to tap into our own creativity.

Sarah was organised, approachable and clearly knowledgable about all aspects of creative writing and, importantly for me, the processes of creativity. I was inspired by the way she encouraged us to write for ourselves, be decisive and find our own meaning, rather than following rules, or relying too much on the opinions of writing groups.

Sarah Hymas is ingeniously clever as a creative writing tutor, and I thoroughly enjoyed her series of intense tasks and more informal parlour games, each a mind manipulation intent on making one use your imagination and freedom of expression. For me, Sarah was the perfect choice of tutor at the French  House Party Experience mini break, and would undoubtedly be equally ideal for all other such workshops.

Get in touch if you would like to discuss ideas for a workshop.

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