Tag Archives: sea-creatures

Publications

Wave Motion
An extended concertina of card and paper, with an expanding spine. £10 (&p+p).

Two companion sonnets on the purpose and beauty of waves, making distinct yet comparable the organic ocean and the inorganic plastic within it.

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A Dock is not a Solid Thing
A Jacob’s ladder format of blue / white two tone card, ribbon and a steel fastener. £10 (&p+p). Limited edition of thirty.

Seven poems on docks, boatbuilding, maritime trade and lighthouses. The binding, a delicate and ingenious design, conveys the movement of water and precarious nature of maritime industries.

“I do especially appreciate it when a pamphlet comes along where the form reflects the content, where the theme is tightly bound, when everything from top to bottom has been considered when being crafted.” Read more of Claire Trévien’s review here

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There is no Night
(illustrated card, tracing paper sleeve cover with silver birch bark detail. Handstitched binding.) Reindeer image by Justus Raatikainen.
£5 each (+80p p&p).

there is no night

Set in a Finnish summer ‘There is no Night’ is a modern day fable on love and the troll within us all, while tracing the shifting borders of relationships and water. How do we love another and simultaneously ourselves?

This tender, lightly melancholic long poem plays with union and independence, absence and presence, turning ultimately hopeful.
Read more here
If you want one sending as a gift, please add  any personal message to your paypal instructions and the giftee’s (is that a word?) address.

Reader feedback: “Thank you for this. I’ve read it twice now but it feels like the kind of poem that will grow with every reading. I love the ‘vessel’ you have made for it – so clever. As you said on your blog – in the end it asks for simplicity – but that’s quite hard to achieve.

“As for the poem, I’m finding it hard to start spilling words about it, but I love the way it makes me feel – quiet and still, in the presence of mystery, sad and hopeful. It’s beautiful.” 



In Good Weather the Sign Outside reads Danger Quicksand (art-booklet: letterpress cover, transparent photographic end-papers, card, recycled rubber band binding, 2014) Limited edition of 48.    £8 + p&p Also available from the Bookartbookshop N1 6HB In Good Weather 1

A sequence of four prose poems expose a relationship between storm surges and domesticity. Multiple time frames hide and appear within the folded card sections, playing with how past, present and imagination co-exist.

Semi-opaque end-papers add to the layering of the pieces. This is a playful puzzle and beautiful handmade design.

“The writing impresses too. Whether lyric tetralogy, or four ‘flash chapters’, this account of a relationship weathering threat adroitly meshes natural, medical, and meta-fictional imagery, and anchors its wealth of detail with a taut yet understated line to the heart. The narrative arc is clear, yet travels far, the prose glistens with precise, musical phrase…”  Naomi Foyle. Read the rest of the review here.

“Wonderful. Quite wonderful. In every way. Thank you.” TL, a reader

“The writing is, for the most part, tight, limpid and almost matter-of-fact. There are moments of acute visual perception, as when the sea water beating against the window means the ‘glass isn’t to look through any more, but to look at’…A pleasure to read in every sense.” Billy Mills on Elliptical Movements


Sea-Creatures(poetry art-booklet: chart section end-papers, illustrated pastel paper, waxed linen hand-stitched binding. 2013) £6.00 + p&p handmade poetry art-bookletA collection of encounters with sea-creatures of the air, water and a sailor’s imagination. These poems are fresh, simple and joyful descriptions of the sea’s ecology and the reactions provoked by it. Charts illustrate the richly textured paper, adding to the experience of the reader as seafarer.
“This small hand-stitched rectangular pamphlet is a delightful blending of design and poetry, which work together perfectly…” Angela Topping in Sabotage
“Sarah makes these beautiful creations in which the form of publication and poems intertwine to make a whole. Sea-creatures features maps and torn pages that echo the tide, Lune streams like the river it’s named for across the page. Both publications are full of salt and water; there are mussels, brittle stars, selkies, seabirds, and a multitude of ‘fragments of one world…washed up by another’. ” Claire Dean, Gathering Scraps



Please be patient. Orders can take up to a week to ‘process’

Lune (concertina pamphlet, 2012) £2.00 (&p+p) Runner Up for Best Pamphlet in the Saboteur Awards 2013

handmade poetry art-bookletA long poem set at the mouth of the Lune estuary, rich in imagery and allusion, place and atmosphere. It examines the relationship between land and sea and sea and man, in layers that connect and distance. Subtle, delicate, confident. You can read an excerpt here

“Lune: a leash for a hawk; fits of lunacy; a crescent formed by the overlapping of two circles; a crescent moon; a river whose tidal estuary is at Plover Scar, Lancashire; a poem in five sections printed as a neat concertina pamphlet; subject of these reviews:

 “Lune appears as a whisper. Beautifully and carefully intimate. And once you have fallen into it, it starts to tell you secrets. It is the kind of poem you could fall in love with…” is only the beginning, in Annexe Magazine

Lune is a rich addition to this contemporary pastoral tradition: part narrative, part evocation of land- and sea-scape, part metaphysical meditation on what the world is and what it is to be in that world. The title in the first instance derives from the river, but the other definitions of lune that I referred to in the opening paragraph of this review all seemed to me to come to bear on the poem as I read it.” Billy Mills in Sabotage

Lune is featured in The Guardian Books Blog as an excellent example of its form.




Host (Waterloo, 2010) £11 inc p+p

poetry

“The voices, the stories, the detail and the imagery are powerful, superbly-crafted and original.” Bernardine Evaristo

“The poetry is earthy and takes a no-nonsense approach to setting out their journey from community-based god-fearing and pious, through to the complexity, toughness and verging on faithlessness, of modernity.” Anne Stewart in Artemis

“… excellent at capturing social and religious codes of behaviour, with the acuity of Austen or Alice Munro … Host is a tactile and muscular collection, rooted in the complexities and textures of the physical world. Hymas has created fresh and exuberant work that, at its best, captures the awe of being alive. Sarah Westcott

Waterloo Press have a few copies left… I think

 To buy or review any of the books, either use paypal or contact me on sehymas [at] gmail [dot] com