End of Life Doula

Living in our world of multiple crises and witnessing the end of life of a dear friend who lived with Parkinsons for twenty years, the time felt right to offer myself to those who are living with anticipatory grief or approaching their own end of life.

In 2025, I undertook the foundation course to begin the process of becoming an End of Life Doula , with Living Well Dying Well. This means I am currently a registered End of Life Companion.

As an end of life doula, I provide emotional, practical, and spiritual support to people who are approaching the end of life, either through terminal illness or age, and those important to them. My role as Doula is one of compassion, advocacy, and companionship, ensuring that people feel heard, respected, and supported.

Please get in touch with me – sehymas [at] gmail [dot] com – or through https://eol-doula.uk/ to discuss your situation and needs.

My fees, as with my coaching practice, are responsive depending on your circumstances,. They range from £30-£70 per hour. By you paying the higher end of the range I’m able to continue to offer subsidised rates. Pay it forward, if you can.

I also charge the standard .45ppm for travel. I’m based in south Cumbria, equidistant between Kendal and Lancaster and can travel into North Yorkshire from here too.

July 9, 2025

Mapping Our Place

This is one of two maps I was commissioned to make by Closing Loops of areas in Lancaster. There was a lot of walking around the area, working out what to include, talking to people as to what was important to them, and getting a feel of the place myself. I knew both sites reasonably well, but definitely was an outsider – a perfect place to begin.

Over April 2025, I invited people who lived, worked and played in the area to contribute drawings, collages and / or stories of the area. The drawings and scribbles were originally added onto four A1 sheets that only had the roads marked on them, while people talked freely about what events the drawings were inspired by. These encounters happened in schools, groups that met in the community centre and on a field one weekend, where I met the biggest range of people (and as usual was far too engaged in talking with them to take photos, so this is a recreation of what went on).

I then transcribed their stories, and along with their accompanying drawing, added these to the back of the map

The four giant maps were then scaled down to a manageable A3 size and sent to the incredible Morecambe Riso Press to be printed.

These were then given to those who contributed and people who came to events at the Wild Roots Festival in June.

It was a project to reveal the multi-layered nature of each place as well as the opportunity to dream its future. Over all these conversations what I loved the most was encouraging people to share their stories of a place. You might see in the map under its title two stick creatures. These were my benchmark drawings. They are of two deer spotted in the woods. So whenever anyone told me they couldn’t draw, I pointed to the deer. It was not a project about art, but the artistry of storytelling, place and how we might tell our stories of the place, using words, pictures, collage, or any other format possible.

I’ve written about the joy I had in finding a place for my very limited drawing skills over on substack. What I didn’t mention was that I had been wanting to make a community map since devising a mapping walkshop with Maya Chowdhry when we worked on Walk With Us, in 2020-2022. We applied to various residencies with the idea, that was as much digital (and audio) as zine-y because of Maya’s interests, and never got a bite. So while this was a far smaller scale version of our vision, it did bloom, two years later, which in the scheme of sowing seeds isn’t too long to wait for germination.

This Mapping Our Place project didn’t manage to fulfil all its ambitions – of using the maps to instigate walking tours in the areas, but that can come next time. I also made a make your own map zine which you can download and try if you’d like to have a go in your neighbour. Alternately you could ask me 🙂

Imaginarium Power

This online Imaginarium is focused on the power we hold as writers, the power dynamics in what we’re writing, the power of words, and the variable power of voice and form.

To align ourselves with the power of our sun, this Imaginarum runs from one equinox to the other: March – September. Meeting monthly on Mondays at 7pm (BST).

Over each two hour session, we’ll be exploring:

how to tap into our personal power – our aspirations and intentions for ourselves as writers;
what power is displayed through our ideas and / or our characters, how it is used, misused, exploited and applied in the plots and structures of our work;
the inherent power of the words we choose and how we use them;
the power of publishing and our power as editor and gatekeepers for our work. This final topic will invite you to make a multiple zine or artistbook from a piece of work (using Canva free for those who want).

Who’s it for?
Open to writers of all genres and experiences.

The sessions will support you to:
* increase your faith in yourself, creative processes and writing
* connect with other writers in a supportive and inclusive community
* explore the complexities of power dynamics in your writing
* open up your thinking at a later stage of a project, or find news ways into capturing fresh ideas and experiences
* make an artistbook / zine to explore news ways of editing and presenting some of your writing
* have fun and play

Format

We’ll meet monthly, online for 2 hour sessions.
You’ll be sent a pack of papery delights in advance of the programme, then ongoing digital worksheets / provocations full of questions and invitations in advance of each monthly meet.
A one-to-one coaching/mentoring session with me can be face to face (in Lancaster / Kendal area), online or phone during or after the programme.

More info on the ethos of an Imaginarium is here

Session Dates
From March 17^th, we’ll meet online on the third Monday of each month (except June, when we meet 9^th)
Online meeting dates:
17^th March
21^st April
19^th May
9^th June
21^st July
18^th August
15^th September

Cost
There are three self-selecting bands:
£270 full; £190 mid-range; £90 concs; 1 free bursary place is available.
This includes all sessions, resources and an optional one to one tutorial.
Please choose whichever band feels most affordable to your current situation

To sign up*
There are 10 places.
As usual, to collate a diverse and engaged group of people I ask you send a brief email with an Expression of Interest.
Please email – sehymas@gmail [dot] com – by February 19^th
with:
1. A couple of sentences on your writing experience and interest in participating*
2. Which fee band you’ll be paying
3. Any access needs
4. Any questions
*This is not about me deciding how good your work is, more an ambition to create a mix of genres, experiences and perspectives for the group.

DreamingWritingZiningPlace

An in-person Imaginarium of creative text-mapping

Friday 4th – Sunday 6th April *

Blackhall Mill Community Centre, Blackhall Mill, Gateshead, NE17 7TL
Non-residential, with delicious, wholesome vegetarian meals provided

Dive deep into rural Gateshead and unearth some of its many voices. Experience the freedom and playfulness of writing as a physical practice, and explore zines as a way to edit, focus and find the potential of text.

Curious? It’s for people who like to play with words and connect with place. It’s for writers interested moving beyond the flat page to explore text as visual and spatial. It’s for visual artists / practitioners looking to deepen their text-based work.

Over the weekend we will
• capture our relations with this wild, ex-industrial land through words
• explore the intersection of personal, social and ecological worlds
• make either a one-off zine or a prototype for multiples
• form a temporary creative community to nourish and inform our individual creative spirits

*6.30 – 9.pm Friday, 10 – 6.30 Saturday, 10 – 3 Sunday

Cost
£150: this covers working in a small group with individual attention, and a post workshop one to one,; as well as supper Friday, lunch and high tea Saturday and lunch Sunday.
There are a limited number of places available at a reduced price.

To sign up
— email me – sehymas at gmail.com – with a line or two about what interests you in the weekend
— your current creative practice / experience / aspiration
— whether you can pay full price, or if a bursary would make it possible for you to attend

The 10 places will be allocated on a first come first served basis.
A nonrefundable deposit is required by beginning of March.

November 25, 2024December 22, 2024

Lessons from the Lighthouse

The theme for the 2024 Being Human Festival – Landmarks –got Madzine researcher, Jill Anderson, thinking of how the landmark of a lighthouse might be a restorative object. From this point, she came upon my cabinet project, and thoughts on Lancaster’s local Plover Scar lighthouse being hit (in 2016) and having to be restored . She approached me and fellow collaborator, visual artist and printer, Charlotte Done, to see if we’d like to cook up a project idea for the 2024 festival.

Cue many emails and conversations and expanding then whittling of ideas and we came up with Lessons from the Lighthouse, a series of linked events funded by PACT at UCLAN, the Madzines Project to form part of the nationwide Being Human festival. Our focus was on the ways it means to be human, how we might explain and share those ways to a non human (the lighthouse), as well as other humans. We also decided to push the notion of humanity a bit further and explore what the lighthouse might have learnt from the experience. For this we needed a mobile version of the lighthouse, and commissioned Revamp Raccoon.

Our conversations revolved around the idea that lighthouses offered both comfort to the homeward bound sailor and warned of dangers in the vicinity. We were curious as to how the two sides of the metaphor would play out for in the conversations through the project.

As we discussed the plans, we realised Light up Lancaster coincided with the Being Human Festival. It seemed too good a coincidence to ignore. And added a second, drop-in workshop to the events, to solicit more ideas on what it means to be human – from the perspective of younger people. And so we had a five-staged project:

1. A walk to meet Plover Scar, the lighthouse at the mouth of the River Lune, in Morecambe Bay, to consider the elemental home of the lighthouse. How it felt being out on the limb, out of a human comfort zone.

In July we led a small group of hardy walkers out to Plover Scar, eight miles towards the bay from Lancaster. Incidentally this was towards the end of my 14 years of living in the lighthouse keeper’s cottage. I didn’t go out to the light very often, not wanting to disturb the birds who fed and roosted there. It was a big deal. A saying goodbye to the light who I’ seen every day for the past fourteen years. To celebrate the occasion, I dressed as Beatrice Parkinson, the last keeper of the light, to channel her spirit to guide us out there

Low water was at 1015, which so happened to be between great squalls of rain. It was a springs low, which gave us plenty of time to get there, be there with no fear of being under threat. We made a slow walk out across the pebbled mud and muscle beds, befitting the pilgrimage it felt. Some silence some chat.

2. A zine-making workshop to process that experience, exploring the difference between being a lighthouse and being human.

That afternoon’s zine-making workshop, complete with seaweed bread, at the Good Things Collective in Morecambe, captured some of discoveries made during the morning.

3. A drop-in creative workshop, sharing what it means to be human with the lighthouse.

The next workshop had over 150 people dropping in as part of the Light Up Lancaster Explore Week. Wendy’s mobile version of Plover Scar drew plenty of people into the workshop.

Here we asked people to share their thoughts on what made them human rather than a light, writing them on pre-made illuminations to give to the lighthouse (who was now in town in readiness for their nighttime wanderings during the Light Up Festival). We were totally unprepared for the enthusiasm people brought to the task.

A short video of the event and more illuminations is here on Charlotte Done’s IG

Virtually everyone donated their wisdom to the lighthouse’s education rather than take their illuminations away with them. The giving of these illuminations to the lighthouse was definitely one of the highlights of the workshop.

4. Plover Scar distributed these illuminations from people with other people, discussing what they provoked in others

A week later during one night at the Light Up Festival, Plover Scar not only attracted much curiosity, but also conversations with a lighthouse keeper, a port authority manager and someone whose research was in metaphor. People delighted in receiving the messages from unknown others, taking them as either a comfort or a warning, depending on their perspective. It was reminiscent of the pleasure in penpals from childhood. This might also have been stirred in the obviously craftiness and nonplastic nature of the light, compared to much of what else was being handed out on the festival streets. The homespun, tactility, the evidence that it came from somone else’s hand into another added to the spirit of the evening.

5. Conversations with Plover Scar on what they’d learnt from the whole experience, alongside more zine making.

To round the series off, we conducted conversations between one of the team and the lighthouse, talking through the whole experience, discussing with the workshop attendees what they made of lighthouses.

The project exceed our expectations for connection with others and for the unpacking of what people felt it was to be human, for people to open up with their dreams, challenges and joys to the lighthouse . The lighthouse as a beacon to make those connections was palpable – on the streets and in the drop-in workshops. It reminded me of the power of puppets, of how in animating things we connect to their and our life force, the force that brings us all to life togther.

It was a project that evolved and developed as we went through, from July to November. We took a leap of faith in how our ideas could connect and inspire others as they unfolded. The hybrid nature of the project – eco-phenomenological participation, madzine research, creative community workshopping, spontaneous interactions – was risky and at times nerve-wracking. Ultimately a wonderful collaboration that held, for me, many of the wonders of collaboration: uncertainty, connectivity, spontaneity, collective participation, trust, fun, joy and generosity.

Worlds in Progress Retreat

Worlds in Progress

A four day/ five night Creative Retreat
facilitated by Sarah Hymas & Katherine Zeserson

Monday 4th – Saturday 9th January 2026
At Woodlands House, Giggleswick. North Yorkshire, BD24 0AX

For those who work and play with words – writers, singers, songwriters, zine or artist book makers, embroiderers, vocal artists, performers, and – and – with a work in progress, who would benefit from time out of the usual routine, to spend time alone and with others on a similar path. (see this for reasons why being around people can be a Good Thing)

This space will support the building of the worlds in our work; future worlds through our work; and a temporary world over the week.

A beautiful balance of together time, cooking, preparing and clearing up together and the normality and extraordinariness of that, snippets of stories, progress, insecurities presenting and being allowed space, gratitude shared with strangers, moments of exhilaration as ideas bubbled and boiled to the surface, care, love, connection.

This is not a taught course. It is a holding space for exploration, sharing and connection. It is a place to be safe to concentrate on, and expand our faith in, our work, individually and collectively. It’s a time to stop, reflect on your practice, gather yourself, recharge and regenerate.

This is an invitation to be generous with your creative spirit, to invest in the transformative power of giving out and seeing how it comes back differently and enriches you in the process. Bring a willingness to learn, to not know and be open.

Each day includes time solo and together, plus shared veggie/ vegan meals (evening meals will be on a cooking rota).

There will be plenty of time for you to spend with your own work, be inspired by the quiet and space, as well as be stimulated by the conversations and the internal and external worlds around you.

Optional facilitated activities include creative explorations, play, guided meditation, walks, and singing.

We invite you to make this an alcohol-free week

An opportunity to be in community with others from different creative backgrounds (whom I wouldn’t normally meet or come across in my everyday life) and the chance to share talents, experiences and ideas. A chance to focus on my writing without disturbance or distraction.

Venue
Everyone will have a room of their own. Some with en suite.
There are two accessible rooms on the ground floor.
Nearest train stations: Giggleswick or Settle.
There’s room for parking

Arrival: 1700 Monday 4th January
Departure: 1130 Saturday 9th January

Cost
£600, inclusive of all food, accommodation and activities
There are 10 participant places. We can offer a limited number of discounted places. Please get in touch if you’d like to discuss a bursary.
If you are able to pay more, to cover the cost of more bursaries, let us know.

Who we are
Sarah Hymas, writer, maker, facilitator and collaborator, has been running The Writer’s Imaginarium and other creative workshops and retreats for over thirty years. Through all her work she seeks to strengthen the connections between us, and unearth the joy in sharing collective creative spaces.

Katherine Zeserson is a singer, writer, coach and facilitator. She works with individuals, groups and organisations to build clarity and insight, driven by a passionate belief in the essential role of creative and reflective practices for making a kinder, fairer world.

How to Express Your Interest in Coming Along
email by 1st June: katherine [at] zeserson.com & sehymas [at] gmail.com
with the subject: Worlds in Progress Residency
Include, briefly (in the body of the email):

Why you’d like to join us for the week
What roughly you might be working on (we appreciate things change)
Anything you’d like to offer the group during the week, either of your practice or some joyful activity that supports your practice. (This is optional, and can be spontaneous if you are so moved during the week)
If you absolutely need a desk in your room.
Any dietary requirements or allergies you have.
Other specific needs you’d like us to know about.
Whether you’re able to pay £600 standard, need a bursary, or can pay more towards the cost of another bursary

We’ll need 50% deposit to confirm your place as early as possible.
And the balance to be paid by the middle of October.

Cancellation policy: We can only return your payment if someone else is able to take your place

Extra Details

Couples are welcome to share a room. Both would be still required to pay full price
Given that we’ll be working in close proximity we ask that your practice is considerate to others.
There is wi-fi at the house
Do email with any Qs

It gave me lots of moments of joy, a space to work, a space to play with all the other fab retreatants, space to be on my own, space to be in the beauty of the place, and shared laughter.

Imaginarium Earth

Imaginarium Earth is a six month editorial programme for writers with an early draft wanting a new and supportive way of editing their work

Who’s it for?

Any writer, of any genre, any subject, looking for a new / supportive community alongside whom to edit / redraft a body of work*

who can commit to most of the fortnightly Monday night online sessions
who wants to go from being in the dark to having a clearer view of a particular project
who enjoys discussion and engaging with other people’s work as much as their own, seeing that as a way to enrich their own process
who has love and respect for the earth and is wanting to enfold that relationship into their writing / editing process.

You do not need to be writing a nature-based work, or refer to the natural world explicitly within the writing.

* A ‘body of work’ refers to a pamphlet or more of poems, a collection or bundle of short stories, a 20+ min script, a piece of prose 15k + words in length, or some other longer length work

Aims

Turn an early (possibly messy) draft into something more coherent.
Build confidence and joy in the editorial stage.
See the earth as a teacher of creativity, and build on the six elements for creative experimentation.
Keep the creative spirit alive and fresh throughout the redrafting process.

You will be invited to

Draw on the earth’s processes to guide your editorial process
Reset your perception of your work through a wider reset of perceptions towards the world you inhabit
Become a part of a small community of committed writers each editing their work
Hold an expansive view of your ideas, influences and processes, while making focused edits on your work

Format

We’ll meet fortnightly, online for 90 minute sessions. These will alternate between peer feedback and more wide-ranging discussions on process and keeping going
Interim worksheets / provocations full of questions and invitations
An inclusive hour long one-to-one coaching/mentoring session with me, which could be face to face (in Lancaster area), online or phone.
More info on the ethos of an Imaginarium is here

Session dates
All sessions run 7-8:30pm, Monday nights, on zoom.
Intro session: 18th Dec;
Earth: 15th & 29th Jan;
Air: 12th & 26th Feb;
Space: 11th & 25th March
Fire: 8th & 22nd April
Water: 6th & 20th May
Consciousness: 3rd & 17th June

Cost

There are three self-selecting bands:
£270 full; £150 mid-range; £90 concs; 1 free bursary place is available.
This includes all sessions, resources and an optional one to one tutorial.
Please choose whichever band feels most affordable to your current situation

Expressions of Interest

There are 8 places. Unlike previous years I’m definitely capping at 8 (!)
If you’d like to join this Imaginarium, please email me sehymas [at] gmail.com
with:
1. A rough outline of the draft project, including its genre and subject matter, you want to work on between Dec 23 and June 24*
2. Which fee band you’ll be paying
3. Any access needs
4. Any questions
*This is not about me deciding how good your work is, more an ambition to create a mix of genres for the group.

Please send your interest by 16th November at the latest and I’ll get back to you asap.

Ancestral Imaginarium

This semi-supported, semi-freewheeling Imaginarium will return in the second half of 2025

In it we’ll explore how assembling an ancestral altar might feed into your creative actions and aspirations, and build a deeper sense of connection with your place in the world.

At the time when, in the Northern Hemisphere, days are shortening, the earth is beginning to turn towards hibernation, we’ll call our ancestors into our lives through celebration, play and creativity. These could be our blood, spiritual, teacher, non-human, or land ancestors: the many-gendered, multi-formed, mothers of the heart. This Imaginarium is an invitation to the self to recognise and celebrate ancestors, and to the ancestors to recognise and nourish creative spirit.

With provocations from Sarah Hymas and Katherine Zeserson, this guided month offers a time of writing and notwriting, of assembling and doodling, of mooching and dreaming.

Outline for the month
* Email provocations will land in your inbox throughout September 2024
* Three live sharing sessions at 7.30pm on Monday 2nd, 16th and 30th September
* A private blogspot forum to share discoveries as you go
* An optional follow up one to one meet later in the autumn to offer a gathering together of your ideas or an impetus for continuing a new momentum.
* The time commitment for each week is entirely up to you. You could spend half an hour in response to the provocations, or you could dive in for a day a week, or anything in between.

Who it’s for
People who are working with memoir, automythology, self-reflection, familial nonfiction, biography,
OR are embarking on / are involved in any creative endeavour where spending time with your wider self and collective influences would be useful, fruitful and enriching
OR are interested in deepening your connection with the world, across time and space, unfolding your sense of self into a larger consciousness

Basically, whatever your experience, form or expression, if you’re curious (ie, got this far down the page) then it could be for you.

Cost
Choose from the sliding scale, what you feel you can afford
£50; £75; £120

How to book a place
Write to us at sehymas [at] gmail [dot] com saying
what interests you about this Imaginarium / exploring your ancestors, and what price bracket you’ll be paying.
* We’re deciding on dates and will be inviting you soon*

Recommended Reads to get you in the zone
(These are only only if you’re looking for book suggestions)
Timecode of a Face – Ruth Ozeki
Rest is Resistance – Tricia Hersey
The Carrier Bag Theory of Fiction – Ursula le Guin, with the foreword by Donna Haraway
All About Love – bell hooks
What Kind of Ancestor Do You Want to Be? ed by John Hausdoerfferm Brooke Parry Hecht, Melissa K Nelson and katherine Kassouf Cummings

Imaginarium by Not-Writing

This is a laboratory into the art of writing by not-writing*.

It’s for any writer / artist / enthusiast wanting to begin a project, who wants a fresh way of looking at it, or someone halfway through one, wanting a new route through it. It’s for those who want to resist the inclination to write and produce tons of words, to expand expressing their ideas and experience in non-linguistical ways. Not-writing, especially for those of us who are habitually inclined to write regularly, allows ideas, images, themes and narratives to cook in a different chronology, take shape in an alternative form, split and slip down unexpected streams.

This Imaginarium first aired in the Summer of 2021 in the northern hemisphere, as Imaginarum Summer. It’s now available as a pdf for any time of the year, and invites you to put writing to one side, out of the spotlight, or even on hold for a few weeks, and see what happens when you allow yourself alternative creative interactions.

You’ll explore what happens if you embark on a project, or a section of a project, without writing. What fills the gap that was occupied with words? How do you voice your interactions with the world, your hopes, fears and stories? And what then happens when you return to language as your creative expression?

Format (approximate to the pdf)

Provocations and inspirations, emailed as a pdf every Monday throughout August, invite you to explore your project idea or preoccupations without writing. Each pdf comes with mp3 note-making-not-writing accompaniment to provide an almost writing space for those who don’t want to go completely nonlinguistic.
The time commitment for each week is entirely up to you. You could spend half an hour in response to the provocations, or you could dive in for a day a week, or anything in between.

Cost

The pdf, with chat, provocations and links to audios, is downloadable. Please send your donation using paypal and I’ll send you a link to the pdf. As with the Imaginarium Solo pdf, all monies will go to The Morecambe Bay Poverty Truth Commission Hardship Fund

*The art of writing without writing acknowledges its debt to Bruce Lee in Enter the Dragon and follows the ethics of nonseparation.

How we do anything is how we do everything

This programme, like all Imaginariums, rises from my own practice. It is guided by the desire to maintain a sense of self as writer during those times when you aren’t writing much or happily or with conviction.

I believe in the diversity of the creative moment, that the impetus and connection I experience through writing isn’t limited to the setting down of words. The creative flow, elemental to my writing, runs through many other activities, and inactivities. The fluidity and potency of tired or wavering creative energy can be revitalised, rediscovered or redirected when instead of writing I’m not-writing with intention.

To let go of words, temporarily, allows other seams of creativity to emerge from any given moment, and invites the body to lead the mind in nourishing encounters with our imagination. This Imaginarium intends to stitch words into one layer among many in your creative process.

I read ‘how we do anything…’ in Tom Waites’ book Innocent When You Dream years ago. I was initially horrified at the thought that my cavalier DIY style was how I write. That my botch-it paint job was analogous to editing a poem. Now I’m not sure it’s that straightforward. I think it’s about intention, and how I approach painting can teach me how I can approach adding shade or new colour in a chapter. Pulling ingredients together to make a cake can offer a new methodology for thinking about a seemingly unrelated bunch of images.

This Imaginarium will be food for your writerly practice. Food as nourishment and food as fuel. It offers the space for you to consider your creative practice through one endeavour to another. Your creative impetus will roam freely across form and time in a way words might not grant. It might even show you ways of sustaining your creativity when short of time for writing, or headspace for words.

For more info on the Spirit of the Imaginarium, see the main Imaginarium page or a post I wrote for Climate Cultures

What people said about the last online Writer’s Imaginarium

a think-tank for writers … a safe, encouraging environment … hugely inspiring … brain-expanding … gave me so many new approaches to writing … an other world. Quiet. Sacred. Beautiful. Intelligent. Deeply inspiring …

Imaginarium Solo

An easy to use, easy to riff off, writer’s guide to kickstart a new writing project, picking up the threads of an old one, or tinkering with an unfledged idea. The Imaginarium Solo offers a space for you to play, think, listen and write around an idea – word, image, or story – that just won’t let you go, with the intention of ripening it at a pace that suits you.

Four audio provocations, embedded within the guide, will prompt you through an accumulative writing process. For run through the guide, start to finish, probably takes about six hours. This, of course, can be broken up to fit with your life. As with all Imaginariums, Solo is based on my own processes and designed to encourage imagining, creating and writing for all genres. It’s for those who would like an invisible companion / gentle provocateur as they write

You choose the cost: from £5 – £25. Pay below and I’ll email a link to the digital guide. While you can print it off for your use, you will need to be online to click through to the audio files that are the writing guides embedded in the pdf.

All monies will go to The Morecambe Bay Poverty Truth Commission Hardship Fund

If you’re strapped for cash, email me. I’m happy to share this for free with anyone whose financial situation is an obstacle to their writing.

And if you’d rather write in company, then maybe the Imaginarium Online is more your thing. If there isn’t one pending, then sign up to my very infrequent newsletter to hear of the next one.